Relocating My Blog Back to My Website

Dear Readers:

I have finally finished transitioning my website to a new platform. I will be moving The Story of Place blog back to its home there at www.tonyamacalino.com. Thank you so much for your patience during this period. I will keep this blog live just in case the new platform proves just as hackable as the old, but I have faith!

See you on the new site!
--Tonya Macalino

Saving Our Stories: Aldus Manutius and the Technology of Storytelling

So Spake Mo…
Teaching, that noble profession, has a curious effect on a curious mind. The rigorous study required to instruct, the enthusiasm necessary to convey that knowledge past the resistance of the pupil, all this can create a passion for a subject strong enough to change the world.

For a certain educator from Renaissance Italy, that passion drove him to a late-life career change from tutor to the wealthy to publisher. Like a modern-day Silicon Valley entrepreneur, Aldus Manutius dropped his former life and with his investors launched a business based on a risky new technology: moveable type. Aldus did this with the goal of preserving the Greek classics in their original language, providing his contemporaries with access to the ancient wisdom that he and his fellow humanist so valued.



source: Bernardino Loschi

In his Venetian workshop off the Campo San Agostin, this ambitious entrepreneur employed his “software developers” in the task of translating the flowing and unruly written language of the Greeks into a standardized type – an enormous architecture to create and then hand carve from a language once calculated to posses approximately 1,300 accent and letter combinations. Above the door of this workshop the frantic placard read:

“Whoever you are, Aldus earnestly begs you to state your business in the fewest words possible and begone, unless, like Hercules to weary Atlas, you would lend a helping hand. There will always be enough work for you and all who pass this way.”



source: Robert Alan Thom

And these early, innovative technologies—like ours today—did not sell cheaply. But the market was ripe and the early adopters helped Aldine Press survive first a glut in the publications market and then the instability of the wartime market.

But then so did Aldus’s entrepreneurial mind. Because this is when he was pushed to adapt his products to meet the needs of the greater marketplace.

The “libelli portatiles” were born.
 

source: Newberry Library




















Adapting the devotional print format of the octvo (eighth sheet), stripping away the traditional weight of academic commentaries, and adding Aldine Press’s latest innovation: the new compact calligraphy of the italic, Aldus created the modern pocketbook, making his beloved classics available to the mobile class of Renaissance humanists.

Aldus released books from the study or the library and set them free to entertain and inspire the wider audience of the educated upper class.

And eventually, the rest of us.

So, from all of us who treasure that book we cradle by a fire on a chill winter night, or even the e-reader we thread through our fingers as we dangle from a handhold on the train, thank you, Aldus Manutius…



Aldine Press Publisher’s Mark

Festina Lente: “make haste slowly”
(source: Dzembayz)

So Spake Me…

In any group, any culture, it is the stories that bind us. They hold our teachings, the collective intellectual and emotional knowledge that allow us to relate to each other and to the world around us with the same recognition of ideas, the same concepts of right and wrong.

It is no wonder that in our relentless drive to tinker and to create that we embarked in our infant societies on the odyssey of developing tools to capture and pass along these stories from person to person and from generation to generation.

We began simply.

source: LRBurdak

Smears of crude paint changed to artistically stained stone that was to endure nearly 40,000 years.

Slowly, our representations of the world became representations of ideas and those representations turned to a symbology of sound. We tinkered, we created, we evolved our ingenious technology of story from the previous generation’s and gave it over to the next to continue the work.

Fingers soaked in plant juices against limestone…to chisels against marble…to quill against parchment. Our wonders of innovation.

We were relentless.



source: Dmsdgold

Rigid parchment changed to fine vellum, monks to publishers hand-carving their typeset works of art in loving detail. Weighty tomes lifted from their library podiums and settled into the palms of intellectuals.

Faster now, always faster.



source: UserFA2010

Wood punches turned metal, turned to fleeting electrons, massive reels of pulped paper transformed to light against polarized glass.

We reach further and further even now.

source: jblyberg

Pigmented pixels flashing their positive or negative colors to illuminate a modern manuscript. Pages beyond counting fit easily into a pocket, a purse.

So many stories.

We are so many voices now. More to know than can be drunk in one lifetime. All available with the click of a button, 40,000 years of human wisdom and folly. 40,000 years of clever minds developing new technologies to carry our stories forward, to preserve them, to save the soul of our society for children existing in an unimaginable distant future.

We storytellers, we tinkerers, we are not capable of stasis.

source: Photo Extremist

We bring change in our wake. The thoughts, the technologies of the times before ours were not more pure than our own, but rather left the same wake in seas of their days as we complain of and revel in now.

So leave a trailing electric field across the glass as you flip through Aldus Manutius’s beloved Aristotle, paint motion in the invisible glow of an infrared laser as you wander amongst the long-ago revelers at a Shakespearean play. Gaze with fascination at the broad and the narrow gap between the times and minds that brought us here.

And imagine with wonder where our hands will reach to when we stand on the shoulders of 40,000 years worth of genius.

Further Reading:

 

Aldus Manutius: Printer and Publisher of Renaissance Venice

 

The Rough Guide to Venice and the Veneto

 

Aldus Manutius, scholar-printer (c.1445-1515)

 

Answers: Aldus Manutius

 

 

 

Discount Not the Dreamer

So Spake Mo…
There is much to be said for the way the life of the child molds the mind of the man he will become. Once there was a little Russian boy whose joy was flying down hills in his toboggan…until he caught a cold, not a cold, but the deadly scarlet fever. He fought, he survived, but at age 10 he was left near deaf and school became such a struggle that he was ultimately turned out at age 14.



source: Wikimedia

From hence forward, books became his teachers.

And they drove him. At 16, they pushed him so obviously that his parents sent him to Moscow so that he might immerse himself in the Chertkovskaya Library, an Aladdin’s cave of intellectual wonders. As one of 18 children, the family could do little to support his explorations, but so caught up in his studies was he that a simple diet of black bread left him enough to fund his studies and experiments.

He had the time—and the space—to dream.



source: WikiMedia

 

At first, he put his ideas to paper in the form of science fiction, more thought-experiment than character study. Quickly, his passion for rigorous study overtook him and he published his first scientific paper near the age of 23.  From there, the little boy from Kagula went on to create more than 400 works, dreams. Riding on the wings of another dreamer, Jules Verne, he was inspired compose 90 of those works on space travel, including rockets with steering thrusters, multistage boosters, space stations, airlocks for exiting and entering spaceships while in space, and closed-cycle bio-systems for food and oxygen in space colonies.



Tsiolkovsky's Spaceship
source: WikiMedia

While the rest of the world played with the precursor to the automobile, he was colonizing the stars.

With the inspiration of the Eiffel Tower, our dreamer roughed out the calculations for the geostationary altitude necessary to operate a “celestial castle,” an elevator operating within a tower that could deliver man to space. While his calculations also found the tower itself an impossibility, the idea remained…

…The Space Elevator.

 


source: (c) LiftPort Group

So Spake Me…
Konstantin Tsiolkovsky dreamed his dreams from 1857 to 1935. He is remembered as the Grandfather of Soviet Rocketry and the Father of Spaceflight, as the man whose work inspired those who finally did take us to the moon, including the father of America’s own space program, Wernher von Braun.

Like Descartes with the childhood illness that removed him from society’s prescribed daily routine and allowed his mind to roam far and wide (leading to analytic geometry and the foundations of modern philosophy), Tsiolkovsky’s willingness to seize this early intellectual freedom led him to explore ideas that had no obvious application at the time. Scientific dreams. Dreams that became physical science, that took on reality much sooner than he could possibly have imagined.



source: (c) AGeekMom

Were all 400 of his ideas the stuff of legend? Not necessarily. But in a time when humans were experimenting with awkward steam-powered cars, he was developing the sleek Tsiolkovsky rocket equation which rocket scientists still use today.



Tsiolkovsky Monumet
source: (c) Vladimir OKC

Dreaming matters. The dreams of Jules Verne who sparked Tsiolkovsky’s imagination. The dreams of Arthur C. Clarke whose further dreams of that space elevator would spark the curiosity of Jerome Pearson of NASA, who in parallel with Yuri Artsutanov of Russia, would pursue the idea into practical mainstream science.



source: WikiMedia

Then on to Bradley Edwards who secured NASA funding for the first serious feasibility study.

And from there the dream takes flight.



source: (c) Michael Laine

In 2006, Michael Laine assembles The LiftPort Group to develop the necessary technologies. The economy crash-lands the project for a period, but Laine’s group rises from the ashes with a successful 2012 Kickstarter campaign.



source: (c) LiftPort Group

And they are not alone. Tech giant Google joins the race in 2011 and the Obayashi Corporation of Japan joins in 2012 with claims of a completed project by 2040.

In SPECTRE OF INTENTION,

the date stamp on Kaitlin’s contract is May 13, 2048.

So here’s to a little Russian boy with his toboggan and a spark that has flown so far:

Discount not the dreamers, for they deliver us into tomorrow.



source: (c) LiftPort Group

“The space elevator will be built about 50 years after everyone stops laughing.”

- Arthur C. Clarke, 1985

“It’ll be built 10 years after everybody stops laughing…and I think they have stopped laughing.”

- Arthur C. Clarke, 2003, 2^nd Annual Space Elevator Conference, New Mexico

 

References and Further Reading

The Space Elevator: “Thought Experiment,” or Key to the Universe (Arthur C. Clarke)
http://www.spaceref.com/news/viewnews.html?id=844

Wikipedia Space Elevator Entry

http://en.wikipedia.org/wiki/Space_elevator

Konstantin Tsiolkovsky

http://www.russianspaceweb.com/tsiolkovsky.html

LiftPort Group Kickstarter Campaign

http://www.kickstarter.com/projects/michaellaine/space-elevator-science-climb-to-the-sky-a-tethered

Konstantin’s Beanstalk—the Space Elevator

http://tappinginto.org/konstantins-space-elevator

 

 

On the Occasion of My Twentieth High School Reunion

So Spake Mo…

Twenty years.

Twenty years since we shared the journey of childhood together, since the stories of our lives were so bound up in one another that we gave shape to each other, to the people we would become. Amidst canyon and sagebrush, in the cradle of a one-stoplight town, we began.

Twenty years.

Twenty years since we set off to become that something more, to create the new people we held in the dreams of our hearts. And in those twenty years, we created ourselves anew so many times: cashier, engineer, homemaker, soldier, admin, entrepreneur, artist, manager, teacher. Along this road, in the throes of the journey, we were aided by the wisdom and the folly of hundreds as we retooled our dreams to match reality…or reality to match our dreams.

Twenty years.

Twenty years into the journey we return. We come in the guise of middle age, wearing the dust of so long a road, so many selves created and discarded. We come wrapped in the critique and the support of the hundreds we’ve met along the way. But for all their love and advice, they could never truly know all of who we are. They were not there when we began:

Amidst canyon and sagebrush, in the cradle of a one-stoplight town.

Among those who helped shape our original story.

Among friends.

Welcome home.

So Spake Me…

There it is. My own personal creation story, my myth. And it is so very startling how archetypal the actors, events, the places of our legends become in just twenty short years. My memories have become aged snapshots, grainy and uncertain in their detail. Only the most vivid of the defining moments remain and as I gaze back at them in my mind, I can’t help but wonder how much of the truth remains after so many retellings.

I wrote Mo’s speech as the welcome piece for the reunion book, looking forward to the reunion, looking at those snapshot memories anew. With the fears of youth set to the side, curiosity rose up in its place. Slowly, steadily my classmates transformed into one hundred and thirty-four books I had never finished and “What happened next?” became the nagging question tugging at my mind every time I stumbled across a Facebook post, an old photo tucked in an worn children’s game, or a dusty yearbook I’d glanced past for years without seeing.

And when the nights came?

The stories were more fascinating than I could have possibly expected. Probably because they mattered to me. These people, I knew how hard they had to work, how far they had to climb to get where they were now. And the peaks they had conquered! Business owners, Air Force pilots, PhDs, researchers, mothers, fathers, husbands, wives, flying high in the big city, settling cozy in the small towns, even planting roots in our own hometown to keep her thriving.

So many stories. Each story so new and yet so familiar. So many glimpses at the archetype I had become in my classmates’ own legends—the girl I had once been seen from new eyes. Each glimpse so surprising and so sweet.

And when the nights were over?

I left with a bit of sorrow at the stories left unheard, at the renewed connections I knew would fade once more. I left missing my people.

But I also left happy. I am so proud of the people I come from, how they have grown no matter what path they chose.

 

When these images, too, become faded with age, the details blurred and uncertain, I hope I can still draw from my myth, from my memory, this timeless truth: I come from good people. Good people who are still out there in the world spinning their fascinating stories and sometime soon perhaps I will get to hear more.

And that brings me the profoundest comfort.

Welcome home.
 

The Shame of a Saint

So Spake Mo…

Legend says that in the days before Bishop Honorius coaxed St. John Chrysostom from his solitude to bend his powerful oratory abilities to the service of the church, another came to visit the future saint in the cavern of his hermitage…a beautiful young woman fleeing the dangers of the wild.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

At first this pious man turned her away, thinking her a deliberate temptation sent by the devil, a demon come to distract him from his pure purpose. However, the maiden managed to convince the saint that she was indeed a Christian, leaving him bound to offer her shelter.

Demon or supplicant, the result was the same.

The saint fell.

As the young woman grew greater and greater with child, the hermit could no longer face the evidence of his sins. In his despair, he tried to erase his crime. He threw the mother of his unborn son from a cliff.

Perhaps it was her screams, perhaps it was the sight of her body cracking against the rocks, but St. John immediately understood he had not erased his crime, merely increased it two-fold through this double murder. He stripped himself naked and threw himself to the ground vowing to live as an animal, not speaking, nor eating human food, nor looking up to the heavens until his sins were forgiven.

For months he went on like this, denying his humanity in penance for his sins until the day came that God chose to release him from this trial. In his savage state, St. John received again a visitor…a beautiful young mother suckling her infant child. It was through the mouth of the saint’s own innocent son that the Lord forgave St. John Chrysostom his sins and released him to return to his peaceful mediations.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

In turn, the young woman was finally restored to her parents, the King and Queen, with much celebration.

So Spake Me…

In Alyse’s first day as a fugitive, she takes refuge in the Church of St. John the Golden-Mouthed, Venice’s relatively small chapel dedicated to this saint. She, too, is betrayed and turned out in violence. It would be so easy to pick up the feminist themes and rail against the objectification of women or to point out the unlikelihood of an unwed mother receiving a joyous welcome on her return to the palace in that era.

But what caught my eye in each of my sources for this tale (and there are many versions), what I adjusted in my own retelling, was the gloss applied to the double-homicide.

Violence in entertainment is always an argument-provoking topic. Gloss over it too much and you will find yourself accused glorifying the act, separating it from the consequences. Dig into it too graphically and you will be grouped with the artists contributing to the desensitization of society.

Violence whether emotional or physical is part of the human story. It is the thing we fear in the night; the undercurrent of our own rage. As much as I was repulsed by the light touch applied to the murder of a girl and her unborn child, as much as I turn away gore and spatter of the latest summer blockbuster, I would propose that the spectrum is necessary.

You cannot offer brutal honesty every time without numbing the masses, but sometimes…sometimes we need to be reminded that what we are accustomed to seeing has been sanitized, that the effects of a gunshot are devastating and not just to the body splattered across the bathroom wall, but also to the community to which that body was connected.

Sometimes we need to be reminded that the young woman dying of a pierced lung and a cracked skull at the bottom of the cliff will not get up again and birth a child to offer us forgiveness.

At least not without a miracle…